Wild Life

Wild Life is the first album issued by Paul's newly formed group Wings. The album was issued in December of 1971. It rose to a high point of 11 on the British charts and number 10 on the US charts. The album sold well enough to receive a gold record award.

When the album was released it contained 10 tracks: Mumbo, Bip Bop, Love is Strange, Wild Life, Some People Never Know, I Am Your Singer, Bip Bop Link, Tomorrow, Dear Friend and Mumbo Link.

The CD release contained the bonus tracks: Oh Woman, Oh Why?, Mary Had A Little Lamb and Little Woman Love. Later CD issues would contain different bonus tracks)

Paul and Linda McCartney wrote the songs for this album and then decided it would be good to have a group to record and tour with. Paul asked Denny Seiwell, who had drummed on McCartney's Ram album, to be the drummer. Then he called Denny Laine, an original member of the Moody Blues. Laine had sung the Moodies big early sixties hit Go Now. Both Denny's accepted and Wings was born.

WINGS Left to Right:

Paul, Linda, Denny Seiwell and Denny Laine.

Paul: Bass, Guitar, Piano, Vocals

Linda: Keyboards, Percussion, backing vocals

Denny Laine: Guitars, Bass, backing vocals

Denny Seiwell: Drums and percussion.

The new group met at Paul's house in Scotland and began rehearsals and played a few live gigs at different Universities around England. They would show up unannounced at the universities and ask if they would like Paul McCartney to play a show. Most were skeptical until they went out to the van to see Paul and then gladly accepted.

After Playing together for a short time they headed for the studio to record their first album, Wild Life. McCartney had read that Bob Dylan had recorded an album in three days and thought that was a great idea. The album would be full of spontaneity and excitement if they didn't over think things.

It was a disaster. When the critics got a hold of this album they let Paul have it. It was the worst criticism he had ever received. Wings recorded the album in three days and then did overdubs and mixing. It took a total of three weeks.

Nicholas Schaffner a rock writer and critic, and Beatles expert said about Wildlife:

"Unfortunately, what might pass for "rough-hewn" with Dylan translated into "half-assed" in the case of Wild Life, released in the last weeks of 1971, and from which McCartney's customary musical craftsmanship was totally missing. The entire record was sloppily performed, musically listless, and lyrically excruciating. The opening track, "Mumbo," was made up on the spot while the tapes rolled -- and sounded like it. Another song consisted mainly of the lyric "bip bop bip bom bop bip bop bip bom bam" repeated endlessly to a lobotomized three-note melody. This was the one George said he found hard "to relate to." C'mon Paul, we know ya can do better than that! Even the one or two half-decent tunes, like "Tomorrow," were suffocated by Linda's gloppy oohs and aahs unaccountably mixed as high as the lead vocal.

And the liner notes were just as cutesy-pie as the music: "Inside this wrapper is the music they made. Can you dig it?"

The rock critics not only couldn't "dig" Wild Life, they gored it with a vengeance. Most of them were already inclined to take Lennon's side in the Beatles' civil war; Paul was viewed as a traitor to the counterculture, who had split up the Beatles and sold his soul to bubblegum. In its end-of-1971 awards, Crawdaddy wished Wings a "crash landing." Bootleg Beatle albums appeared with covers caricaturing Paul as a bloated pig, while A. J. Weberman staged demonstrations outside the Eastmans' Park Avenue pad. The anti-McCartney hysteria got pretty silly, but Wild Life certainly didn't help Paul's case any."

There are a few bright moments on the album, but they are not enough to save this album. Fortunately Paul took the next album more seriously, but not before stubbing his toe on the next two singles.

(Dear Friend was an open letter to John Lennon trying to move past the arguing and bitterness)